Showing posts with label Andy Bell. Show all posts
Showing posts with label Andy Bell. Show all posts

08 August 2010

Vocalists

This one has been long in coming….

Anyone (other than me) can carry a tune and some can even show off an amazing range in the last thirty seconds of a song, but singing is another story altogether. A few months back, a friend asked me who were my favorite female and male vocalists: who would I consider to be a great vocalist? Immediately, I started scratching my head, because I really had never thought about this in any serious way. So I started compiling a list of criteria of what would make a great vocalist – in that sort of classical sense of singing, sans the rappers, screams, sprechgesang, etc… I immediately dismissed two factors: popularity and range. Popularity, generally, is the measure of corporate sponsorship, and range only indicates what notes you can hit, but that does not indicate if the singer uses his/her voice to maximum capacity. So amongst my criteria was the ability to be emotive – can the singer make me feel? Also, does the singer sell the lyrics, making them believable? And does the singer have a distinct style?

At first I felt a bit inundated: Was I considering the entire range of singers out there? Did I forget anyone? I started asking around, trying to get people’s opinion, and it was funny how no one could agree on five; I goggled a few lists, and they could not agree with one another either. But the one common trend I found is that most of these personal and media lists were not broad in scope (and some of the people included had no business being called a great vocalist – for some, entertainer would be a better term). I started then to compile my own list (sifting through my iTunes collection and the vinyls and CDs that have yet to make their way into the external hard dive), and became frustrated once again when many of the older, classic, and foreign singers were not officially available to embed from YouTube, Vimeo, or other video sources. I did not just want to compile a list of ten female and male vocalists; I wanted to be able to give you something to listen as well. (I know that YouTube is only five years old, but I think it is time that labels and artists start making back catalogues available in this VEVO revolution.) So, instead of compiling my favorite vocalists of all time, I decided on compile my favorite five female and male vocalists who are currently active and relevant to the music scene. Relevant is always the hard part; many older bands are still releasing albums, but how influential are they? Take a band like Depeche Mode; when they release, till today, people listen, both audiences and other musicians, but countless of others do not fall into this category, no matter how much I love the new music.

I want to pay some respect to the classics, which have helped develop my ear and musical taste. Amongst these vocalists are Bobby Darin, Julie London, Peggy Lee, and Dinah Washington – four incredible vocalists whose legacies continue to influence singers today. Not limiting myself to English, I would also like to include Rocio Jurado, the singer of the Spanish Chanson, in this list of classics. Her name and voice is synonymous with traditional Spanish music, full of drama and power, it is impossible not to hang on to her every word. As for the lists that follow, these artists have either established themselves or on the road to do so if they keep their heads screwed on right. Enjoy these vocalists, for they not only prove their abilities as singers, these are artists that continue to define, challenge, and redefine trends, music, and, in some cases, what it means to be great.

Les Chanteuses

Eva Amaral (of Amaral)

The namesake of the Spanish band/duo Amaral, Eva Amaral’s voice has a little of that Rocio Jurado; emotive, dramatic, and mesmerizing. Along side Juan Aguirre, they have composed everything from traditional Latin and Spanish music, dance music, pop rock, and some cutting edge indie rock. Taking most cues from the British and Euro-indie scenes, Eva Amaral, album to album, is able to recreate her vocal style, always leaving you wondering just what will come next.

Here is a live performance of “Concorde” from Amaral’s MySpace Video Page.


Amaral: Concorde en directo.

Amaral | MySpace Music Videos


Corinne Bailey Rae

What I love most about Corinne Bailey Rae is just how hard it is to pigeonhole her as a simple soul singer. With a touch of R&B, a dash of pop, and a pinch of indie rock, she composes and performs music that carries visceral power that is universal and infectious. Her angelic, quite soft, voice wisps through songs with general ease, with each note delivering the conviction of her words.

Here is the video for “Like a Star” from her debut album, from her YouTube Channel: CorinneBaileyRae. The second video is from her recent sophomore album, “The Sea,” called “Paris Nights/New York Mornings” from her MySpace Videos page.




Paris Nights/New York Mornings

Corinne Bailey Rae | MySpace Music Videos


Natasha Khan (Bat for Lashes)

Working under the intriguing moniker Bat for Lashes, Natasha Khan (of Pashtun descent) has one of the most distinct sounds in music; combining threads of dream pop, folk, indie pop, and non-Western elements, her music is ambient, soothing, and introspective. And not just audiences have taken notice of her talent, but also peers, including Matt Bellamy (Muse) and Thom Yorke (Radiohead). Her voice is sheer drama – mirroring the mood of the songs, from anguish to despondency, the only comparison I always come back to when listening to her music is Kate Bush, and that says it all.

Here is the video for “Daniel” from Bat For Lashes MySpace Videos page.


Daniel - Bat For Lashes

Bat For Lashes | MySpace Music Videos


Annie Lennox

There should be no doubt that Annie Lennox is my favorite female vocalist of all time. From glam and punk influenced rock pop band The Tourists to the new wave of the early Eurythmics, from the Motown influenced later Eurythmics to the soul of her solo career, Annie Lennox’s contralto range has proven over and over to ooze as much drama as her ever-changing theatric image. Polymorphic in image as in genre, her voice is perhaps the most distinct female vocalist’s out there, morphing in style as needed for each individual song. And even when being ambiguous, as in “Sweet Dreams (Are Made of These),” there is always this connectivity between her singing and the audience.

The first video is The Tourists’ “I Only Want to Be With You” from the DaveStewartOfficial YouTube Channel. The second Eurythmics signature song, “Sweet Dreams (Are Made of These),” while the third is their video for “Don’t Ask Me Why” from the EurythmicsVEVO YouTube Channel. The last two from her solo career: “Precious” and the amazing The Lover Speaks’ cover “No More ‘I Love You’s’” from the AnnieLennoxVEVO Youtube Channel.











Katie Melua

The Georgian born, British raised Katie Melua has mesmerized me completely recently. I have always loved the sound of her voice, even when originally she sang, “How can you make me fall apart, then break my fall with loving lies?” (“The Closest Thing to Crazy.”) Now she takes a different approach: “I’d love to kill you with a kiss…” (I’d Love To Kill You.”) With complete control of her mezzo-soprano range, she uses the entire range of her voice from beginning to end, including live, which proves the staying power of her voice.

Here are the videos for “Closest Thing to Crazy,” “It’s Only Pain,” and “A Happy Place” (I know I recently posted this one, but it is such a great song and video) from the DramaticoMusic YouTube Channel.







Les Chanteurs

Andy Bell (of Erasure)

In this synthpop revival world, I am amazed that the names Andy Bell and Vincent Clarke, a.k.a. Erasure, have not become household names, considering how they are ripped off left and right. Clarke, the musician, is the quiet presence in the duo; Bell, however, is known for his over-the-top antics on stage, what never gets the credit is his voice. Juggling Erasure with a solo career and Djings, his multi-octave range can get guttural or sing with one of the best, most controlled falsettos, even while prancing around in a dress of the globe.

Here are Erasure’s video for “Chains of Love” and “Always” (amazing background vocals, taken out in the 2009 Mix of the song for some odd reason) from the Erasure MySpace Videos page. Also, his first solo single, “Crazy,” from his MySpace Video page.


Chains Of Love (Video)

Erasure | MySpace Music Videos



Always (Video)

Erasure | MySpace Music Videos



Crazy

Andy Bell | MySpace Music Videos


Matthew Bellamy (of Muse)

When I told a fellow Cure-head that I considered Matthew Bellamy the most talented individual in music, I almost got my head ripped off. But he is the total package: phenomenal songwriter, amazing producer, kick ass performer, talented pianist, rocking guitarist, and astounding singer. Sure the technical aspects of his singing are a bit rough around the edges, he still delivers what is needed from song to song, whether he is singing “Microcuts” or “Map of the Problematique.”

Here is a live performances of “Feeling Good” and “Time Is Running Out” and the video for “Undisclosed Desires” from the Muse MySpace Videos page.


Feeling Good [Live From Wembley Stadium]

MUSE | MySpace Music Videos



Time Is Running Out

MUSE | MySpace Music Videos



Undisclosed Desires

MUSE | MySpace Music Videos


Tom Chaplin (of Keane)

Easily this generation’s best vocalist, Tom Chaplin is simply the bee’s knees. You can tell he must have had a few lessons along the way to control is tenor to perfection, but what really comes across is the sincerity in his voice. As humble as his stage persona, his voice has that empathic quality that helps you relate to the song, regardless if he is waxing poetic or being blunt and to the point; I have caught many Keane-haters singing along to a song and hating themselves for it.

Here are the videos for “Bedshapped,” “Is it Any Wonder?” and “The Lovers are Losing” from the KeaneVEVO YouTube Channel.







Dave Gahan (of Depeche Mode)

Perhaps not the most obvious choice, Dave Gahan (pronounced GAN), has proven his chops as a singer, performer/front man, songwriter, and producer over the last thirty years. And when Depeche Mode releases, the world listens. Of the veteran bands of the British 80s, DM remains the most relevant, and perhaps the most influential (contested only by The Cure in that department). Gahan may not have the vocal range of other singers, but he delivers conviction like none other. Whether singing Vince Clarke’s, Martin Gore’s, Alan Wilder’s, or his own lyrics, he is able to suck you right into his world. From getting you ready to dance or rock, to sway to gospel or chill to lounge, Gahan has proven the versatility of his voice and is only second to Freddie Mercury as a front man.

Here are videos for “Just Can’t Get Enough,” “Never Let Me Down Again,” “It’s No Good,” and “I Feel Loved” from Depeche Mode’s MySpace Videos page. Lastly, a solo single, “Kingdom,” from the Dave Gahan MySpace Videos page.


Just Can't Get Enough

Depeche Mode | MySpace Music Videos



Never Let Me Down Again

Depeche Mode | MySpace Music Videos



It's No Good

Depeche Mode | MySpace Music Videos



Dave Gahan - Kingdom (official music video - album version)

Dave Gahan | MySpace Video


Morrissey

I enjoy this love-hate releationship with (Steven) Morrissey. Introspective, witty, intelligent, and sarcastic, whether with The Smiths or now solo, his songs will either astound you with lyrical savvy, depress the hell out of you, or make you laugh. The dramatic quality of his voice just draws you into his little narratives and vignettes. And nothing is off limits: from smoking in the hopes of an early death to psychotropic drugs, The Smiths brought sophistication to post-punk, while Morrissey continues to bring a twisted, but realistic, outlook on life.

Here is the video for “Ask” (officially The Smith’s MySpace presence, but no page, but here is the direct link). And here is the video for “Something Is Squeezing My Skull” from Morrissey’s MySpace Video page.


Ask

The Smiths | MySpace Music Videos



Morrissey -Something Is Squeezing My Skull

Morrissey | MySpace Music Videos
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08 June 2010

Andy Bell: "Non-Stop"

Andy Bell is one of those names that should be a household name. Coming to fame in the 80s as the singer of the duo Erasure, he climbed the UK Singles Charts top 20 twenty-nine times, and twenty-two times on the American Dance Charts. As a solo artist (simultaneously while a member of Erasure and DJing), Bell releases his second solo album, “Non Stop” (7 June 2010 in the UK, 8 June 2010 in the USA). Though electropop like his work with Erasure, if you heard the first solo album (“Electric Blue” (2005)), you know not to expect a rehash of Erasure’s work. Furthermore, at a moment in time when countless musicians are reviving and expanding the 80s electropop sound (Chew Lips, Frankmusik, La Roux, Little Boots, Passion Pit, Scarlet Soho, and Temposhark to name a few), the value of this veteran, who helped define the genre, is immeasurable. And in an indie field of more and more musicians coming out and/or staying out of the closet (Bloc Party’s Kele Okereke, Gossip’s Beth Dido, Placebo’s Stefan Olsdal, the boys of Scissor Sisters, Sigur Rós’ Jónsi, and Vampire Weekend’s Rostam Batmanglij to name a few), Bell paved the road throughout the 80s and 90s to show that openly gay musicians can be and are viable.

Known for his over the top antics and dramatics on stage and videos (Erasure’s very first video has the duo performing in drag, as Andy Bell plays both the damsel in distress and the cowboy trying to rescue her), on albums Bell is known for impeccable, faultless singing, an incredible range and falsetto, the ability to be emotive, and having one of the most distinct voices in music. And the reality is that the quality of male vocalists these days is near extinct. Though Erasure’s music often borders on dance (usually relying on remixes for dance floors), this solo album is dance ready, more so than the debut. “Non-Stop,” true to its name, is non-stop grooving; even when slowing down the tempo, the music is upbeat and party ready. This time working with Pascal Gabriel [whose credits include Debbie Harry, Ladyhawke, Kylie Minogue, and Little Boots], Andy Bell is as playful as he is in Erasure, but with even a more updated electropop sound and beats.

The mirror ball immediately starts spinning with the first track, “Running Out.” Suave, smooth, and sensual, this is the perfect way to invite the listener right in. And beginning to end, more so than his work with Erasure, there are more disco-esque references in the music. But what really become obvious from the start is that unlike “Electric Blue,” “Non-Stop” is not about expansive soundscapes or musical posing, it is about sleekness and dance. The album (actually, each song) oscillates between traditional electropop (like “Touch”), soulful moments (like “Say What You Want”), and intriguing beats that push Andy Bell closer to real house than just dance music, like the titular track, “Non-Stop.” The biggest surprise is the closing track. Perry Farrell [of Jane’s Addiction, Porno for Pyros, and Satellite Party fame] joins Bell for a duet. He happens to be a big fan of Bell’s voice, and together they collaborated on “Honey If You Love Him (That Is All That Matters).” This is the meeting of two worlds that no one would ever think would collide; however, this collision is spectacular: lustrous yet campy, dancy yet temperamental, straightforward yet tongue-in-cheek. Both Bell and Farrell are outside their comfort zones, and that makes the song even more spectacular.

Of course Andy Bell is not the young boy he was when singing “Oh L’Amour” or “Sometimes”; however, the years have made him a better vocalist and savvier when it comes to putting melodies together. And, unfortunately, at forty-six many radio and media stations will probably pass over “Non-Stop,” as “pop” has become the realm of the young and cliché on most radio and video outlets, but this is not a release that you should let get by you. Andy Bell, a veteran, delivers a strong album with “Non-Stop,” proving that age and experience are advantages.



Track Listing:
1. Running Out
2. Call On Me
3. Subject/Object
4. Say What You Want
5. Will You Be There?
6. Slow Release
7. Touch
8. Non-Stop
9. DHDQ
10. Honey If You Love Him (That’s All That Matters), featuring Perry Farrell

Keep up with Andy Bell at his homepage, MySpace, and Twitter. Also, keep up with Erasure (currently working on a new album) at their homepage, MySpace, and Facebook.

Here is the video for “Call On Me” from the erasureinfo YouTube Channel.

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21 October 2009

My Small Rebellion, Part One - Videos

I was sitting in the dark the other night and turned on my iTunes to random play, and David Gray’s “Babylon” came on. I was transported years away, to another life, and memories just came back – my best friend in North Carolina, my Texan friend in Chicago, and countless of other people that inhabit the chaotic world of my mind came bustling. I remembered, again, the power of music; the way we attach memories and feelings to songs. I remembered the fact that our favorite songs are not always the best songs, technically speaking, but rather those songs that bring back memories and feelings. And that is part of the power of music – it is not just a universal language, it is this amazing conductor of empathic energy and one of the few things we can share with one another that may bring us closer.

So I had a small rebellion.

Ever since I started this blog, I have listened to more and more “new” music, and between everything else I have to do, I have not had the time to go back and enjoy some of older songs that really meant something to me at some point in my life. Even though at the beginning, back seven or eight months ago, I included older videos with each video post (something I should go back to), I’ve been more intent on keeping my finger on the pulse of new music than sitting back and enjoying the “classics.” That, I think, is a great mistake and a shame.

So, as I said, I had a small rebellion. I took a few days off from all new music and stirred up some other memories and feelings listening to some of my favorites. And of course I decided to share some of that here. Here are eight videos that I was able to dig up from YouTube and MySpace, but what really got to me was that there were so many older videos that were not there officially or not at all. It seems that the older the band, the harder it is to find official postings of the videos. If they did not outlive the 70s, 80s, or 90s, they are practically wiped out of digital existence. Has the world forgotten bands like Renegade Soundwave and Carter the Unstoppable Sex Machine? Has the world underestimated the importance of the Cockney Rejects and Alien Sex Fiend? I hope not, and I hope that these musicians and labels start placing their back catalogue of videos online, because some of us want to relive old memories. And I am sure that many younger viewers / listeners will be just as inspired as I was years earlier.

So, ahead of time, I apologize that I was not able to locate official sources of all the videos I wanted to share. Furthermore, I promise we will make the effort to keep our eyes open for anything that emerges on line from yesteryears.

And on that note, enjoy the videos! Part Two to follow soon!

David Gray’s “Babylon” from his YouTube Channel: TheRealDavidGray.



Dresden Dolls' “Coin-Operated Boy” from their YouTube Channel: dresdendolls.



Andy Bell’s “Crazy” from his MySpace videos page.


Crazy

Andy Bell | MySpace Music Videos


Hello Operator’s “55 Regrets” from their YouTube Channel: hellooperatortv.



Mogwai’s “Hunted by a Freak” from their YouTube Channel: mogwaiTV.



Skunk Anansie’s “Selling Jesus” from their YouTube Channel: SkunkAnansieOfficial.



Erase Errata’s “Tax Dollar” from the BlankTV YouTube Channel.



The Cooper Temple Clause’s “Waiting Game” from the santuaryrecordsuk YouTube Channel.

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