Videos

Thought I would post a few new videos I have been into lately. Hope you enjoy!

Villagers’ “Becoming a Jackal” from the DominoRecords YouTube Channel.



Chew Lips’ “Karen” from their YouTube Channel: chewlipstheband.



Yes Giantess’ “The Ruins” from their YouTube Channel: yesgiantess.



Foals’ “Spanish Sahara” from their YouTube Channel: wearefoals.



Surfer Blood’s “Swim” from the kaninerecords YouTube Channel.



Eels’ “Unhinged” from their YouTube Channel: OfficialEels.

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Chew Lips: "Unicorn"

And let the comparisons begin. A trio that relies on electronic equipment with a female vocalist – they’re like the Yeah Yeah Yeahs. An electropop act with a soulful female vocalist – they’re like Yazoo. An explosive electro-dance act – they’re like Sunscreen. Wrong, wrong, and wrong – they’re Chew Lips and may very well turn the electropop world on its head. They may have taken some cues from these bands, but their own unique twist on writing music is distinct and fresh and ready for a 2010 audience. The band is young… very young! They formed in the spring of 2008, and a dozen or so shows into their nascent career, DJ Steve Lamacq featured them in the Electric Proms Festival in October of that year. The rest is history… with a release in the UK of “Unicorn” (25 January 2010 in the UK, import available 9 February 2009 in USA), this trio (vocalist Tigs and instrumentalists Will Sanderson and James Watkins) is already making waves in British and continental clubs, while redefining the entire concept of minimalist electropop.

I will advice you to do is listen to this album at high volumes, because it obviously was produced with the intentions of being played at a club, and some of the subtle sounds may be lost at low volumes. With that said, the music does not rely on little gimmicky sounds to get you all giddy over reliving the 80s. The songs rely on tight beats, ingenious arrangements, and when “sounds” are used, it is to highlight the vocal or rhythm arrangements, but the occasional electronic staccato surfaces. The ostinato in some of the songs is barely noticeable, and do not form the heart of the song like in synthpop. The kinds of sounds that arrest your attention are varied – from the synthetic to guitars and pianos – and you have a soundscape that is never predictable. (Adding guitars and bass guitars – albeit very affected – creates more depth of sound than other traditional electropop acts.) And though I typically hate fade-outs at the end of songs (can’t song writers figure out how to end their songs!), in this case they seem just the natural course of events.

One of the most difficult things for electropop or synthpop bands is to have vocals that seem to be part of the soundscape, which neither pushes the music in the background nor overwhelmed by the music. Tig, proves her vocal chops in this department. The vocals give the music an organic feel that electronic music does not usually have, and the music and vocals are always in perfect balance. And Tigs incredible vocals are really highlighted in the closing track, “Piano Song.” I wonder if the title of this song is sheer coincidence or homage. Erasure’s “Wild!” also ends with a track called “Piano Song,” and when you have spent the time listening to the album, with all the minimalist beauty and luscious vocal arrangements, you wonder if Vince Clarke [of early Depeche Mode, Yazoo, The Assembly, and Erasure fame] was not an influence. Regardless, if coincidence or homage, the track is the most serene on the album, really showcasing Tigs’ vocal capabilities. The vocals border on hallow, yet carries the emotional tone of the piano and synth sounds. And even with the synths are getting louder and louder, it is her voice that carries the song. You are never distracted.

I was tempted to just write: “Great album, go buy it!” and call it a day. Chew Lips’ “Unicorn” is amazing on every level: vocal arrangements to production, lyrics to odd synth sounds. And though the album is full of 80s (and 90s) cues, the music does not sound dated, a pitfall that many electropop acts fall into. Whether this album becomes your guilty pleasure, the most eclectic piece in your collection of music, or the album you are proudest to own, one thing for sure: this is an album that will get under your skin in a good way. (My favorite tracks: “Karen” and “Two Hands” – simply amazing.)



Track Listing:
1. Eight
2. Play Together
3. Slick
4. Karen
5. Too Much Talking
6. Toro
7. Two Years
8. Seven
9. Two Hands
10. Gold Key
11. Piano Song

Keep up with Chew Lips at their homepage, MySpace, Facebook, and Twitter.

Here is their latest video, “Play Together” from their YouTube Channel: chewlipstheband.

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Videos During a Blizzard

Okay, if you are in the greater New York City area, you are covered by snow by now. So here I was, at home, canceled plans and bored, when SDM gets online, whom I have not talked to in weeks. We quickly started catching up and one thing led to another and we were beaming back and forth YouTube and MySpace Videos links. That is when Juju got online, screamed at both of us, told SDM to get back to writing, and I decided to collect some of the videos we shared back and forth for a post. These are the newer videos we shared, as I plan to sneak back online in the next day or two to post the older videos.

So here are videos to watch during a blizzard. Hope you enjoy them.

Vampire Weekend’s “Cousins” from the XLRecordings YouTube Channel.



Joan of Arc’s “Flowers” from the PolyvinylRecords YouTube Channel.



Depeche Mode’s “Fragile Tension” from their MySpace Videos page.


Depeche Mode - Fragile Tension (music video)

Depeche Mode | MySpace Music Videos

Wolf Gang’s “The King and All His Men” from their YouTube Channel: wolfgangvideos.



Chromeo’s “Night By Night” from the OfficialGLS YouTube Channel.



Chew Lips’ “Trapcode Form” from their YouTube Channel: chewlipstheband.

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